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Among each group, there were additional distinctions. Chinese, Malays, and Spanish-speaking Filipinos also added to the mix. New Orleans was home to Choctaw and Natchez American Indians and people from the Balkans including Dalmatians, Serbs, Montenegrins, Greeks, and Albanians. There were slaves, freemen, and “Creoles of color,” who were progeny of mixed relationships. The French had established the city, the Spanish ruled for a time, and the Americans known as Kaintucks arrived on flatboats (Shipton 72-73). Relevant Historical Events Known for its distinct cross-cultural and multilingual heritage, New Orleans from the early 1800s on was a destination for a variety of people of different nationalities. For an introduction to jazz before reading the chapter, visit Smithsonian Jazz.

Therefore, readers are encouraged to explore the additional resources at the end of this chapter for additional study. Given the many styles that have developed within the jazz genre to date, it would be impossible to present a comprehensive discussion in a mere chapter. In this chapter, readers will learn about the beginnings of jazz, noteworthy stylistic developments, and significant songwriters and performers. It is generallyĪcknowledged that New Orleans was the place where it all began. The African musical roots of call and response, syncopation, and polyrhythms formed much of the foundation of jazz music, and improvisation give jazz its energy. More than a century ago, a confluence of musical styles resulted in a way of playing that came to be known as jazz. Jazz is a distinct contribution from the United States on the world’s musical stage. This publicity shot shows, from left, unknown (drums), Rudy Wiedoeft (clarinet), Marco Woolf (violin), Buster Johnson (trombone), Arnold Johnson (piano), and unknown (banjo). jazz band that recorded for Edison Records in 1917. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.” – Wynton Marsalis (Marsalis and Ward 8)įigure 7.1 Frisco Jass Band, circa 1917.

The incredibles for brass quintet sheet music